Book Letters

I wanted to create something special for my friend Victoria Waddle’s birthday. I imagined her initials made out of open books.

I started playing with a physical copy of Robinson Crusoe to determine the general shapes and the component parts of the end view of an open book.
I cut a piece of paper the size of my linoleum block and sketched out my design. I then taped the design to a block and went over the lines pressing firmly. Since her initials are V and W, I didn’t have to worry about flipping them so they would turn out facing the correct direction when printed. If her initials included letters like D, B, or E, I would have had to invert the image on the block so the letters would print facing the correct direction.
My retracing of the drawing left a faint in impression on the block.
After I removed the paper, I penciled over the impressions to make the design more visible.
I began outline the design with a small V-gouge.
The areas of the block that are uncut become the areas that print. You carve out the negative spaces of the design. In this photo I’m beginning to use a large V-gouge to remove the open spaces surrounding the book forming the letter V. I chose not to texturize the area immediately around the book since I want the view to focus on the V shape of the book.
I carved out the negative space with a design so if it accidentally got inked that it would add to the piece. I also like to think of my block itself as object of art.
Having played with a physical book while creating my design, I chose to place the book-letters in my design inside a bookcase. Without the support of the bookshelf frame, a real book would open flat.
Here’s the block before a test print.

I tested the block using some black ink. The first impression (bottom left) showed some of the lines in the negative space. I carved them lower to remove them from the print (top right). I created a cut-out form (upper right) to help me align the block with the paper. I ended up choosing blue ink for the final print (bottom right).

I matted and framed the print before wrapping it as a gift.

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Open Words

Enjoyed reading for the first time at the Open Words poetry reading I wrote about for the newspaper back in May. Located at the Ironbark Ciderworks in Claremont, this open mic reading occurs on the first Sunday of each month.

1420 N Claremont Blvd Ste 107B, Claremont, CA 

Mari (pronounced like Marie) Werner and Terry Wilhelm organize the reading. One of them typically starts the evening to warm up the crowd and the other closes the reading.

Terry Wilhelm opening July’s reading
Iron Bark’s Event Calendar

I arrived about ten minutes before the reading began and was about the eighth reader to sign-in. The dozen or so readers for the evening showed a wide array of comfort and skill. The audience facing the microphone and the general customers were audibly receptive to all. It’s a great venue for both the novice and seasoned poet to read.

Me (David Stone) reading “Earthquake at Taco Bell,” written in response to the Ridgefield Earthquake which recently occurred on July 5, 2019
Mari Werner read an engaging prose piece about the tragic loss of trees at her former home to close the reading.

Ironbark provides a vivid, artistic environment for a poetry reading. The staff were friendly and helpful (I think one of the staff was even a reader), but not obtrusive. A teetotaler like myself felt no pressure to drink. Other readers shared how much they enjoyed the fermented cider offerings. I only wished Ironbark sold food as well as beverages.

Retro decor really pops!

After the reading, the closing host encourages the audience to share news of upcoming local poetry readings and publishing opportunities. Mari noted Karen Maya-Greenbaum in the audience and suggested the Fourth Sundays Poetry Readings at the Claremont public library. Victoria Waddle, Managing Editor of Inlandia: A Literary Journey, encouraged the readers to submit to the adult edition of the online journal before the August 31st deadline.

Inlandia Literary Journeys Column on Claremont Poetry Readings

My latest column for the Southern California News Group highlights the Open Words and Fourth Sundays poetry readings in Claremont. The column ran in the Sunday, May 12, 2019 editions of The Inland Valley Bulletin, The Press-Enterprise, The Redlands Daily Facts, and The Sun.

“To hear the diverse voices of Southern California’s poets and beyond, head to Claremont, a town that values poetry.”

I never know how the editors of the various papers will title or illustrate my columns. This column ran with the same title in all four papers, but with variations in the number and color of the photos.

Cutting Our Own Tree

April_Snow_(2)_(25733256894)Zebu and Daisy bounded forward, pulling on the braided bailer-twine connecting them to an old runner sled.  They bleated small frosty clouds.  The light dings of their bells resonated across the snow-covered hayfield.  Alfalfa lay dormant below.

Dottie and I trailed the goats.  Feeling like a boy from a Currier and Ives scene, I sang jingle bells as we headed out to cut a Christmas tree.  We’d found an old two-man crosscut saw in the basement. I’d never even seen my grandfather use it, so I was excited to give it a pull.

Zebu’s mostly dark chocolate body stood out against the snow.  She was an Alpine-Nubian mix.  Daisy was a Toggenburg with her typical light fawn coat and appeared more like a pale shadow.  They were both does, just a couple of years old.  I was a husky twelve-year-old boy, and my sister a thin eighteen-year-old.  Bundled up against the cold, we both looked bulky.

We’d followed the road along the east end of the hayfield where the Minneapolis-Moline pulled the hay wagons and crossed through the gap of the faltering fence that bordered the Old Pasture, then more scrub than grassland.  We paused by the spring that never seemed to freeze over to give the girls a drink.  Glancing across the logging road, I stared at the glaucous black raspberry briars that grew under a large elm surrounded by leafless honeysuckle and briefly wished it was summer, but the chime of the goat bells urged me to pull the goats away from the water.  We had a tree to find.

As the road veered eastward, we passed the orderly rows of white pines my grandmother’s brother had long ago planted.  They were way too large for the living room, and their boughs too flexible to hold our ornaments. The road turned north again and began to rise.  Through the bare trunks of yellow birch, sugar maples, and beech, I spied the stand of hemlock that grew along the steep slope circling back to the ravine that ran at the back of our family’s property.  We took a northern fork in the road and began to scan among the mountain laurel and rhododendrons along the slope for just the tree we wanted:  six to seven feet tall, less than five feet wide.  It needed to fit in the space in front of the silent grandfather clock, between my grandparents’ color television and the roll-top desk where my grandmother kept wrapping paper and tags from my father and aunt’s Great Depression childhood.

Leaving our sled at the road, we climbed up to the hemlocks, holding onto branches and vines. We discovered an irregular oval area where the snow was thin and the evergreen leaves of the partridgeberry could be seen against the brown mat of the surrounding deciduous plants’ winter debris.  We had discovered a deer bed among the protective low branches of the hemlock. A trail of their two-toed prints marked the surrounding snow, leaving a trail of upside down hearts. Following an intersecting rabbit trail, I spotted our tree midway between the hemlocks and the road below.  I didn’t know exactly which kind it was.  It wasn’t a white pine.  Its needles where too short, and it wasn’t a hemlock, but it was definitely fuller than Charlie Brown’s tree on the television special.

“Look there, Dot.” I pointed to the tree rising near the base of an outcropping rock on the hillside.

“You really want that one?  It’s too steep to get there.”

“Not if we slide,” I said, plopping myself down on the snow and pointing my boots towards the goal of the tree.  I drug the saw behind me.  Dot soon followed.  Just before the desired tree, I pressed my boots down and reached out for surrounding branches to slow me.  I swung the saw away from my sister.

We had a hard time working a way into the trunk past the lower branches, but the intoxicating smell of the needles encouraged us.  We pocketed our mittens and grasped the handles at either end of the saw.  Hhhckk.  Hhhckk.  We pulled back and forth.  Foolishly having started on the downside of the trunk, our blade was getting bound by the weight of the tree.   We moved to the topside of the trunk and periodically pressed its trunk down towards the road.  The tree toppled with a crack at the base.  A stubborn strip kept it attached to its stump. A final couple of cooperative strokes set it free

Rotating the trunk towards the bottom of the hill, we pulled it down to the sled, centered it along the slats with its top hanging off the rear.  We secured it with old twine I’d brought in my pocket. Tired from sawing, Dottie and I guided goats who pulled the sled, happy for them to do the work.

The afternoon had nearly escaped us as we headed back along the road, past the white pines, past the spring, and through the gap in the fence of the Old Pasture.  The sun was setting behind our family’s farmhouse.  If we didn’t hurry, I would have to put the goats back in their pen in the barn in the dark.  We picked up our pace with the house in sight.

We had to drag the tree through the back door, through the kitchen, and through the dining room, and across the living room to get it to the traditional location for the tree beside the grandfather clock.  My mother’s initial pleasure in our find, turned to concern as the challenge of maneuvering an unbound tree through the house became repeatedly evident with each turn.

Finally positioned in the living room, we tried to place it in the stand.  The base of the trunk was simply too wide.  We had to cut off numerous low branches and cut more than six inches off the tree to get it to fit.  Stepping back from the tree, screwed at last in the stand, I sighed in frustration.  Starting two-thirds up, the tree bowed to the right.  Who wanted a crooked tree? The tip tilted towards the radiator pipe that usually went unnoticed.  It ran up in the corner behind the clock to the second story, but now stood out like a pole in a fire station.  I twisted the tree so it curved toward the back and anchored it with a string. I hoped now no one could see the radiator pole. Somehow cutting your own tree didn’t seem so simple anymore.

“Oh, David,” said my mother.  “Don’t worry.  Go ahead and cover the tree with ornaments, run the garland at crossing angles, and tilt the star just so.  No one will notice the tree’s top.  The focus at Christmas lies at the bottom where once lay a manger and soon will lie your presents.”

With all the extra work of setting up the tree, I ended up having to go out in the dark and feed the goats.  I prayed as I stomped loudly in the barn and rattled the feed drum to scare off the rats I feared.  I thought of Jesus as I placed hay in the goats’ manger.

I got back to the house just in time to be my mother’s tall boy to stretch up and adjust the star.  I knew then what I know now.  My mother was right. Christmas is more about giving than looking just perfect, and most about the humblest boy who came to lie in the manger to bring the world light.

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Riding the Flexible Flyer

Riding the Flexible FlyerTuesday, June 19th may have been a typical hot day in Riverside, but I escaped the heat with over twenty of Celena Diana Bumpus’s poetry students and guests at the second reading in the Tuesday Literary Series at the Janet Goeske Center in Riverside, California.

Ms. Bumpus leads a highly engaged group at the Goeske Center for an hour-and-a-half long workshop each Tuesday afternoon from 1:00 to 2:30, one of the Center’s many free lifelong learning options.

I shared forty short poems from my current manuscript, including “Riding the Flexible Flyer,” which tells the story of a memorable childhood sled ride.  You can see my splayed hands and bent knees in the photo above as I describe the launch of my sled.  Nothing like a fanciful winter poem and a well-airconditioned room to help one forget the wilting temperatures outside.

My poems explore nature, time, and family relationships with images from my rural childhood in Northeastern Pennsylvania and from Southern California’s Inland Empire where I’ve lived for nearly twenty years.

After reading I enjoyed conversation with the group about my poems and the craft of writing.

I look forward to hearing Michelle Gonzalez read on July 10 at the third presentation in the Tuesday Literary Series organized by Bumpus’s Islands for Writing Publishing. Tim Hatch will read on August 7.